Types of Editing: A Guide for Every Writer

types of editing
by David Harris // October 31  

When it comes to producing a polished piece of writing, many authors find themselves overwhelmed by the various types of editing available. With terms like developmental editing, copy editing, and proofreading flying around, it can be unclear where to start and what each type entails. The good news is that understanding these categories can significantly streamline the writing process and enhance the quality of your work. So, what are the different types of editing? This article discusses these types, each serving a specific role, focusing on certain aspects of your writing.

Developmental Editing

Developmental editing is the first step in the editing process. This stage focuses on the structure and content of the manuscript. Editors look beyond grammar and pay attention to how the narrative, themes, and character arcs work in fiction, or how the structure and flow of arguments build in non-fiction.

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Example:

Imagine an aspiring novelist has written a 90,000-word fantasy epic. A developmental editor might point out that one of the primary characters lacks motivation and asks for more backstory. They might suggest reallocating some chapters to build up the relationships between characters, ensuring everything flows naturally. Instead of solely focusing on grammar or punctuation, the editor provides guidance on plot pacing and character development. This feedback helps the author create a more engaging story.

Structural Editing

Structural editing, often considered a subset of developmental editing, zeroes in specifically on the framework of the text. Unlike developmental editing, which examines the entire story or argument, structural editing checks chapter order, logical flow, and how sections connect.

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Example:

For a non-fiction book on climate change, structural editors check if the chapters follow a logical order. When the introduction explains the current state of climate change and the following chapters group information by geographical regions instead of by topic, a structural editor might suggest arranging chapters around the subject matter rather than geographical areas. This attention to detail ensures that readers can follow the author’s argument without getting sidetracked.

Copy Editing

Copy editing gives a manuscript clarity, consistency, and correctness. A copy editor focuses on grammar, punctuation, style, and ensuring that formatting meets specific guidelines (like APA or MLA). It involves much more than catching typos—a copy editor polishes every line of text.

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Example:

Consider a self-help author who has written a book aimed at improving mental health. During copy editing, the editor will check for typographical errors, maintain a consistent language (e.g., ensuring that the term “anxiety” is not improperly referred to as “stress” elsewhere), and verify that the book adheres to a specific style guide. Without this rigorous step, even the most insightful content can come off clunky or unprofessional.

Line Editing

Line editing focuses on the writing style and the flow of the text, ensuring that the dialogue sounds natural and the prose is engaging. This process skips strict grammar checks in favor of sharpening voice and boosting clarity.

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Example:

Suppose a writer submits a romance novel where the dialogue sounds stilted or the pacing feels off. A line editor would go through the text line by line, looking to enhance readability. They might suggest cutting unnecessary adverbs or rephrasing dialogues to make them sound more authentic. A vibrant line edit turns dull sections into scenes readers enjoy.

Proofreading

Proofreading is the final step in the editing process. This task targets remaining typos, grammatical errors, and formatting inconsistencies. Proofreading occurs after all other editing processes are complete.

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Example:

When a tech book is about to be published, a proofreader looks for stray commas, misspelled words, or inconsistent font sizes. Suppose the researcher mentioned in the text has their name spelled differently in two places; the proofreader will catch that mistake. This step ensures that the version readers see is faultless, allowing for a smooth reading experience.

Content Editing

Content editing is similar to developmental editing but typically involves more than just narrative structure. It encompasses fact-checking and ensuring the content aligns with the intended audience and purpose.

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Example:

When writing a historical novel, a content editor checks facts about specific events that drive the storyline. Suppose a character mentions a historical figure incorrectly or places them in the wrong timeline. This step is where content editing comes into play. By retaining accuracy, the author builds credibility with readers.

Technical Editing

Technical editing addresses documents that require a specialized understanding of technical content or terminology. Many scientific, medical, and engineering texts depend on this editing to stay accurate and precise.

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Example:

An engineer who writes a manual for a new software application needs a technical editor to confirm accurate use of complex terms and clear explanations for the readers. This editor also reviews language for errors and ensures diagrams and labels align with the references in the text.

Sensitivity Editing

Sensitivity editing is an increasingly recognized form of editing that addresses the portrayal of marginalized groups or sensitive content. The aim is to avoid cultural appropriation and ensure authentic representation.

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Example:

Suppose a novelist writes a character who belongs to a culture they are not part of. A sensitivity editor may provide feedback on potential stereotypes or uncultured representations that might arise. They guide the author on how to portray the character appropriately, encouraging authenticity while preventing harm.

Hybrid Editing

Hybrid editing encompasses various combinations of the editing types mentioned. Due to the diverse needs of manuscripts, many editors offer hybrid services to cater to the individual requirements of authors.

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Example:

A novice author often chooses hybrid editing. This approach starts with developmental editing to strengthen the story, followed by copy editing to polish the language. The editor may integrate aspects of line editing by addressing narrative flow in the same pass. This comprehensive review aids in smooth transitions and thorough quality refinement.

Additional Information

Editing isn’t just about correcting grammar; it involves several specialized techniques that can truly elevate a manuscript.

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  • Developmental Editing: This type of editing focuses on the big picture, influencing the structure and content. It often happens in the early stages and can involve reworking plots, characters, and overall pacing to ensure the story flows smoothly.
  • Line Editing: Unlike copyediting, which identifies surface errors, line editing explores the text’s rhythm and flow. Editors may refine sentence structure, enhance descriptions, and ensure the author’s voice is consistent throughout.
  • Proofreading vs. Copyediting: While both are about catching errors, proofreading is the final polish that looks for typos and formatting inconsistencies. Copyediting can involve revising for clarity, grammar, and style, making it a more in-depth process.
  • Content Editing: Often confused with developmental editing, content editing examines factual accuracy and comprehensiveness. This process can involve verifying sources, ensuring information is up-to-date, and sometimes suggesting additional research.
  • Beta Readers vs. Editors: Beta readers offer feedback from a reader’s perspective, but do not provide in-depth analysis like professional editors. They can offer insights into a book’s engagement and relatability, but they won’t catch every grammatical error.
  • Copyediting Levels: There are different levels of copyediting. Light copyediting may only catch spelling and grammar mistakes. Meanwhile, heavy copyediting might involve rewriting sentences or sections to improve clarity and engagement.
  • Fact-Checking: Some editors specialize in fact-checking, confirming all assertions made in a manuscript. This step is crucial for non-fiction works, where accuracy boosts the writer’s credibility.
  • Sensitivity Readers: These editors focus on ensuring a manuscript handles potentially sensitive topics with care and accuracy, helping authors avoid misrepresentation or offense.
  • Self-Editing Strategies: Authors can enhance their self-editing skills by reading aloud, using editing checklists, or taking breaks before revisiting their drafts to gain fresh perspectives.
  • Editing Software: While tools like Grammarly or ProWritingAid are helpful, they don’t replace the nuanced approach of a human editor. They can miss context or suggest changes that don’t align with the author’s voice.
  • Layered Editing Process: Editors approach editing in stages. First, editors make broad structural changes. Next, editors focus on minor details such as word choice and punctuation. This approach ensures each draft gets thorough attention at every level.
  • Editing Over Multiple Drafts: Well-edited works often go through several drafts. Each round can reveal new issues or areas for improvement, which is a typical part of the creative process.

Frequently Asked Questions (FAQs) Related to Types Of Editing

Q. What is developmental editing?
A. Developmental editing focuses on the overall structure and content of a manuscript. It examines elements like plot, character development, and pacing to help shape the story effectively.

Q. What does copy editing involve?
A. Copy editing is the process of checking the text for grammar, punctuation, spelling, and adherence to style guides. It ensures that the text is polished and error-free.

Q. How is line editing different from copy editing?
A. Line editing takes a closer look at the writing style, flow, and clarity of individual sentences. It focuses on improving sentence structure while maintaining the author’s voice.

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Q. What is proofreading editing?
A. Proofreading is the final step before publication. It involves reviewing the text for typos, formatting issues, and minor errors that may have slipped through during previous editing stages.

Q. What does a content editor do?
A. A content editor evaluates the overall message and effectiveness of the writing. This editor checks if the material connects with the target audience and suggests changes to strengthen the content.

Q. What is the purpose of a structural edit?
A. Structural editing assesses the organization of a manuscript. It aims to ensure that the story flows well and that the chapters are in a logical order to enhance readability.

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Q. What role does a technical editor play?
A. A technical editor specializes in works that involve technical content. They ensure that the information is accurate and clearly presented, often simplifying complex concepts for readers.

Q. What is an editor’s note?
A. An editor’s note is a comment or suggestion made by an editor within the manuscript. It provides guidance to the author on how to improve specific sections or ideas.

Q. How does editing differ from revising?
A. Editing focuses on correcting errors and improving clarity, while revising involves rethinking and restructuring portions of the manuscript to enhance overall content.

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Q. Can authors self-edit their work?
A. Yes, authors can self-edit, but it’s often beneficial to have a fresh pair of eyes look at the manuscript. A professional editor can provide valuable insights and catch mistakes the author might miss.

Conclusion

Understanding the different types of editing is essential for any writer. Whether you need developmental editing to shape your plot, copy editing for grammar and style, or proofreading for those pesky typos, each type plays a crucial role in refining your manuscript. By knowing when and how to apply these editing processes, you can elevate your work and ensure it’s ready for your audience. Embrace each step and don’t hesitate to seek help if needed—your book deserves it!

About the Author

David Harris is a content writer at Adazing with 20 years of experience navigating the ever-evolving worlds of publishing and technology. Equal parts editor, tech enthusiast, and caffeine connoisseur, he’s spent decades turning big ideas into polished prose. As a former Technical Writer for a cloud-based publishing software company and a Ghostwriter of over 60 books, David’s expertise spans technical precision and creative storytelling. At Adazing, he brings a knack for clarity and a love of the written word to every project—while still searching for the keyboard shortcut that refills his coffee.

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